Off the Wall: In the Absence of a Path

By Emily Conklin, Staff Writer University students are well acquainted with the idea of searching for a prescribed pathway, and the struggles it takes to not stray outside the lines. In college, the vast universe of options available and their infinite implications on one’s future is an overwhelming weight. This fear and uncertainty, the quest…

On Paint and Progress

By Emily Conklin, Staff Writer The paintings are strikingly different, yet each series commands individual attention and meditation despite vastly different mediums and cultural traditions. Li Gang’s ink and acrylic concoctions illuminate the left side of the gallery, Noa Charuvi’s semi-abstract oils on the right in Art100’s new exhibition, “Construction and Contemplation.” Opening its doors…

‘Abstract:’ A New Frame of Reference

By Emily Conklin, Staff Writer The lofty design world has been documented extensively with references and talking heads alike appealing to a high bred inner circle — or maybe to art school grads with edgy glasses that wear a lot of yellow. That is, until “Abstract,” the new Netflix documentary series, changed all that. Each…

Off the Wall: We Need to Talk

By Emily Conklin, Staff Writer The arts represent a field of creative minds on the front lines of political discourse and activism, embodying the principle of free speech and expression. Some are also taking the lead in the opposition to the hate and questionable ethics of the recent election of President Donald J. Trump, exhibiting their…

Off the Wall: Heat Maps

By Emily Conklin, Staff Writer In today’s vernacular, the title “Syrian refugee” is a tight package of language, used to efficiently describe a mass of displaced human beings: a title capable of neatly grouping a people to allow for rationalization of empathy over cups of coffee in cafes. The “Syrian Refugee Crisis” has become a…